When you open up a Hard Case Crime book, the
sexy deceit and over-the-top testosterone oozes from each word as you turn the
pages. The stories have no room for
self-loathing males who spend their days playing video games, masturbating to
cosplay, and updating iPhones. And women
who watch Oprah and silly reality shows like Teen Mom…don't even exist. In these dramas, there's never a person who
hasn't made at least one crappy decision, hoping to find success, but
ultimately landing in a world of seedy characters and disgusting
occupations. Yes, crime noir is alive
and kicking in the Hard Case Crime books and even the covers bring back great
pulp art of the olden days.
STORY:
Ray Corson is your typical aged boxer with a
questionable past, shady friends, and an amazing ability to eat enough pasta
for two, even when death is staring him straight in the face. He has the perfect life: a junk car; a place
so tiny, when you open up the front door, you fall out the back; and a roofing
job that pays nothing on the good days.
Then he meets Rebecca LaFontaine, a blonde with legs long enough to wrap
around your head twice, and eyes that can make any man forget how to spell
their name. What's a hardworking guy to
do when a sexy blonde wants you to come back to her car? Obviously not ignore her, because then we'd
have no story. No, Ray slowly stumbles
down from the roof and gives our lovely femme fatale five minutes of his
life. And that's all it takes for poor
Ray to be getting into scrapes with gun-yielding thugs, gulping gimlets with
mobsters, and having his whole world turned upside down in a matter of
hours. But Ray, being the sly devil that
his is, always has an ace up his sleeve.
Excellent dialogue, hysterical interior monologue, and hard-boiled
situations ensue.
THOUGHTS:
"Just
when I thought he was done standing up, he'd stand up some more." If lines like that don't get the old ticker
pumping and brain laughing, then this isn't the book for you.
Now, you know the drill: the washed-up,
has-been drifter gets himself in questionable situations, all because of his
morals or because he might just be in love with the story's leading lady. There's always a few thugs—or pugs as the
novel calls them—pulling the main protagonist out of his house in only pajamas,
and roughing him up. And in the end, a
twist is thrown into the mix from left field…usually arriving in the last
couple of pages. But you're not reading
this novel for the things you know.
You're reading this novel for the witty dialogue, the hysterical leading
man who can never get a leg up, and for the deadly scenes that only noir can
inject humor into.
The book itself is short and sweet, never
strays from its main arc, and can be devoured in one rainy afternoon. Typically, most novels today will have
several points of view, so that the reader never gets bored. Well, this book only has one: Ray. And Ray's point of view is entertaining no
matter what he's doing. The book opens
up with clever dialogue between Ray and Rebecca and never lets the momentum
fall flat throughout the entire story.
For instance, in the middle of a heated action scene, Max Phillips
(author) will surprise you: "He
backhanded me a few times lefty in the face.
It wasn't worth writing down in my diary." This humorous underlining tone floats
effortlessly throughout the novel's plot, quickly becoming the charm that helps
turn the page. (There's also one hilarious scene in a whorehouse that has Ray standing
in front of several naked women who don't speak English, and the crap flowing
through his head has nothing to do with sex.
It'll catch you off guard and make you crack up.)
Towards the middle of the book, one by one, Ray
will fall deeper and deeper into the sexy blonde's rabbit hole, but there's
always a feeling that Ray's holding back.
Waiting for the perfect opportunity to strike, giving him the upper
hand. And that's what makes you push to
the end. Also, don't be fooled by the
blonde, Rebecca LaFontaine, she may seem like your cookie-cutter female
character that's just there to get the story going, but she is the story. There are many sides to her that Ray, may or
may not have pin-pointed yet. And when
these two share dialogue together, not only is it entertaining, but almost
every word between them has a double meaning.
Now, don't think the story is all sunshine and
rainbows. It's crime noir. So, asses will be kicked, punches will be
thrown, liquor will be downed, cards will be played, bullets will be fired, steaks
will be eaten, cigarettes will be smoked, and dirty meaningless sex will be
had. If any of the above sounds like a
nightmare, then no need to apply.
Certain language and slang from a time long forgotten will also make
appearances. And if you're the type to
get offended by words, then you have my permission to be backhanded a few times
lefty, spun in a circle, and then dumped in the children's section of a
bookstore with bright bold colors and itty-bitty words that everyone can enjoy.
CONCLUSION:
Fade to Blonde isn't a monumental piece of
literature that will change the world, but it will fall perfectly into the
jolly pulp category and will please all crime noir fans. The story offers vibrant characters,
masterful dialogue, and humor that will keep you coming back for more. And if none of that is of any interest, then
just look at the wonderful cover. You
can just feel the wickedness and deceit the artist (Gregory Manchess) used in every stroke of
paint. If crime noir is already part of
your library, then this book will feel right at home.
No comments:
Post a Comment