Do
not try to fight it. Predestination is
intended to give you a time-looping headache.
The real question is will the middle hold your attention?
STORY:
John
(Ethan Hawke), a time-traveling agent for the Temporal Bureau, heads back in
time to stop the Fizzle Bomber: a terrorist that kills approximately 11,000
people in 1975 New York. But things get
complicated when John happens to run into a person with an extremely
interesting past, causing his last task for the Bureau to run the risk of
failure. Melted faces, violin cases,
orphans, athletic women, writers, stolen babies, and one unbelievable twisted
tale of time travel ensues.
"You know, I once flew into space using a tilt-a-whirl seat and various garbage. True story."
THOUGHTS:
WARNING: Review
is intentionally vague. Describing
certain scenes and or characters could ruin the bizarre plot. As such, P&P has withheld a lot. You’re welcome.
So
you've just finished popping a few dozen bags of popcorn and as you're filling
the barrel next to the sofa with buttery gold, you're smiling because you think
you already have this movie pegged.
You've seen similar Sci-Fi tales where a time-traveling cop goes back into
the past to stop a terrible tragedy.
It's been done. It's cliché. You're pretty sure Predestination will be
nothing but boring from start to finish.
And then the movie starts rolling and you realize you couldn't be
further from the truth. Sure, people
that find Sci-Fi to be nonsense or mysteries to be dull will still not like
this film, but if you're into the above, then give Predestination a whirl,
because you haven't seen a plot line like this before. Ethan Hawke said in an interview that he wanted
the movie's tag line to be, "Predestination…go
f*ck yourself." And after you
watch the film, you'll understand why.
Predestination
is the kind of movie that requires complete undivided attention. Without giving too much away, it does start
like all other time-traveling crime stories you've seen before. One man must go back in time to stop a
horrific event from unfolding, and he has only one jump left into the past to
do it. But then Predestination throws a
curveball about a half hour in and instead, a story unfolds about a very unique
person. See, the Fizzle Bomber still
remains an important factor of the plot, but that part of the film won't even
remotely stack up to rest of the crazy twists that you'll be seeing on
screen. And this is where the headache
will begin to set in. Questions will
start to arise like, "Could this
person be the Fizzle Bomber?" or "Does Ethan Hawke realize he's rocking a pornstache?" And don't worry; those questions will get
answered by the time the credits roll (alright…maybe
not the pornstache one).
"Man, I really need to stop eating people right before work. It's ruining my chances
for advancement."
But
there are two slight problems. Problem
one: Predestination's crazy story almost makes Sci-Fi sense until the very end
and then—BAM—everything gets blown out of proportion. And what almost worked in a fictional time-traveling
loop ends with a humongous plot hole.
Some people will try to make sense of it, while others might brush off
the entire film because of it. But it's
this very scene that Ethan Hawke was talking about in his movie tag line. So…does it make sense? A better question would be: Does it really
matter? The film is already fictional,
so why not push the boundaries even further?
Either way, the scene was written for the initial shock value and it
certainly works. You'll either really
like it or you'll want to set fire to your TV.
But no matter how you feel, you'll be talking about the ending as soon
as it's all over. And problem number
two: the middle of the story shifts from Sci-Fi thriller/mystery to Sci-Fi
drama/mystery. And this transition may
be the point where some people feel the film slows down dramatically as Sarah
Snook's character, Jane, takes center stage and the Fizzle Bomber/Ethan Hawke
storyline slowly crawls its way back into the movie towards the end. But if you're invested in the characters, the
mystery behind them will definitely hold your attention until the credits.
"If you're waiting for me to dance or pull a lever to splash water on myself...that's just not
gonna happen. At least not before lunch."
THE ACTING:
Ethan
Hawke is excellent in the film...even with the silly scratchy voice he's trying
to pull off. At first the voice might
get on your nerves, but relax, there's a reason behind the way he's
talking. In fact, there's a reason
behind everything in the film. So if
you're willing to stick it out until the end, you'll probably be sickened,
angered, shocked, and dumbfounded. But
at least everything gets answered.
Certain scenes required Ethan's character to be emotional, strong, sad,
and confused, and without even a hiccup, he easily fills the shoes of the
second protagonist, John. Why the second
and not the first? That's because
someone else steals the movie away from him.
Ethan Hawke's character is more of a bookend: showing up in the
beginning and towards the end, while a large chunk of the middle goes to
another person entirely…
Sarah
Snook. She plays Jane and her
character's evolution in the storyline is astonishing. Mentioning anything else about the plot will
ruin the shock...and it’s this shock that needs to be kept for the film to work
the way it was intended. But all you
have to know is Snook delivers top-shelf acting chops that help bring the
entire film together by the end.
"Keep looking at me like that, slut, and I'll rip my heel off and stab you with it. In the most
polite way, of course."
CONCLUSION:
Predestination
may not be the greatest film you see this year, or even one that will earn an
Oscar, but you'll be talking about it and trying to understand it as soon as
it's over. On top of that you'll never
forget just how shockingly crazy the story actually gets. It's Sci-Fi at its strangest. The film not only pushes the
"boundary" of what's possible in fake realities, it takes the
"boundary" out back and shoots it.
So if you want an original story that'll leave a mark and maybe even
make you a little sick to your stomach, then give this film a shot.
3 out of 5 Stars (minus a star for the ending plot hole & for the somewhat slow middle)
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