American
Hustle seamlessly blends late 1970's clothing, fashionable hair, outrageous
dialogue, and subtle humor for a masterful work of cinema fiction.
STORY:
Irving
Rosenfeld (Christian Bale) a level-headed con man teams up with the sensual
over-achieving Sydney Prosser (Amy Adams) to create a bank loaning firm called
London Associates. Everything about the new
firm screams legitimate, except every cheery investor never makes any money and never, ever gets any of their
initial investment back. Making London
Associates the greatest con ever pulled by Irving. So what's the problem? One, Sydney is in love with Irving, but he
has a wife, a house, and an adopted son, rendering their relationship a tad
troubling. And two, an FBI agent named
Richie DiMaso (Bradley Cooper), gets wind of the duo's business practices and
decides to try and make a name for himself.
Pompadours, piano playing cats, dirty dancing, and science-ovens ensue.
"You keep shaking your head no, but it's true. There's a bird stuck up in my hair somewhere, and
I intend to find it. Now, I'll ask again. Will you help me?"
THOUGHTS:
David
O. Russell from Silver Linings Playbook and The Fighter returns with almost
every member from each cast, creating an ensemble of talent and word-slinging
just shy of greatness. From Bale's
horrific comb-over and sheer sloppiness, to fantastic music like "How can you mend a broken heart"
from the Bee Gees, there's a lot to love about American Hustle.
This
film easily lets you see what the next two hours will be like in the first five
minutes. It starts in almost absolute
silence as Christian Bale works his fabulous comb-over in the mirror, using
wrist flicks to thicken the hair and all kinds of adhesives to keep it
perfectly in place. Background music
kicks in and Bradley Cooper appears saying, "If I wanted to bother you, this is what I'd do," and
completely wrecks the complicated comb-over.
If that opening doesn't make you chuckle, crack a smile, or even let out
a sniff, then you might be in for a very long, non-humorous movie. Some viewers may also find the plot slightly
hard to follow. And that's why it's just
shy of greatness. But if the opening
scene does tickle your fancy, then you'll love this film.
"What is that...Elmer's?"
The
Batman (Bale) is superb here. No, he
doesn't wear any tight black outfits and he also doesn't have a voice that
mimics an old stuttering car engine.
He's fat and hairy, but has an air of confidence about him that women
can't seem to get enough of. He pulls
off a con man/thief easily, and you'll find yourself rooting for him throughout
the story, even though he's stealing people's money to pay for his own bills
and entertainment. Adding to Bale's
perfect acting is his comb-over, which becomes a gag and star in and of
itself. There's a scene where Irving is
attempting to have a conversation, but the comb-over won't stop coming
undone. Bale's facial expressions and
behavior are impeccable in the over-the-top situation.
Breaking News: the first picture of the Batman surfaces after spending just a year with Selina Kyle.
It has now been confirmed that yes, she does like to cook.
Amy
Adams is the seductress of the film, wearing skin tight, almost see-through
outfits that'll keep most men's eyes everywhere but on her face. Even though most of her films cast her as the
cute, naive girlfriend, she falls into the English accent and man-eater profile
without a hitch. Cooper's childish
tendencies and silly behavior from Silver Linings comes back here, alongside a
hint of eagerness and too much ambition without any intelligence to back it
up. Jennifer Lawrence is phenomenal as
Irving's nutty housewife that has freakish fire fetishes and missing morals,
but somehow manages to control every man she meets. Her scenes (the "flowers and garbage" nail polish for example) are
short, but they'll be the ones you'll remember.
Jeremy Renner dons a humongous pompadour and plays lovable Mayor Carmine
Polito. He has a hilarious accent mixed
with terrible ethics, and an amazing ability to help needy people with only
stolen money. His duet scene with a fat,
drunken Bale singing Tom Jones' "My
Delilah" is charming, disgusting, and side-splitting all at the same
time. And Bobby De Niro pops in for a
strenuous cameo, while Louis C. K. gets leg humped by a hysterical laughing
Cooper.
"Shh...shh, it's okay. It's okay. These curlers may look like a mistake now, but in a few hours
you won't be able to keep your hands off me.
To
make it very easy on you, if you liked Silver Linings Playbook and thought it
hilarious at times, then you'll love American Hustle. The appealing qualities of SLP are mixed with
wit and subtle humor, making the real star of the film the writing and
dialogue. So keep your ears open,
because some of the crap falling out of the actor's mouths is too whimsical to
let slip by. On top of that, each and
every actor/actress in the story appears to be having a ton of fun on set and
in character, giving the movie a comical, charismatic tone. Even though the plot can be heavy-handed at
times and become somewhat convoluted, just sit back and enjoy the goofiness of
it all. By the end all the subplots and different meandering routes come together in a nice outlandish package.
"He jammed a fork in my eye!"
"Yes, but I did it out of love and respect."
CONCLUSION:
American
Hustle does away with action sets or mystery plot lines and instead, relies on
superb dialogue, funny situations, fantastic acting, and a hilarious time
period to keep your attention. If you
loved Silver Linings Playbook, then this film is a no-brainer. American Hustle is the perfect blend of
phenomenal cast, music, story, and wit.
There is a chance that it may be a tad slow to some viewers or slightly
hard to follow, but either way, American Hustle isn't the type of movie to be
missed.
4.5
out of 5 Stars (minus 1/2 Star for a slightly
convoluted plot)
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