By
now, if you're going to see or rent or buy a Statham movie, then you already
know what to expect. The film most
likely will not be Oscar bait. Simple
dialogue will run throughout, action will be prevalent, and someone, somewhere,
at some point, will be getting kicked in the face. These are Statham trademarks, and as such,
from here on out, P&P will use a new Statham system to rate each of his
movies. One Statham being the worst (think Parker) to five Stathams being the
best (think The Transporter). Just keep in mind that a five Statham rating
doesn't necessarily mean the film is as good as a regular five star
review.
It's finally been proven: Jason Statham can smile. What you don't know is right after this
screenshot, he punches that cake right in the face.
STORY:
Phil
Broker (Jason Statham) a former DEA agent moves to a small town to get away
from crappy city life. But silly
rednecks just won't let the man rest, especially if he happened to punch one of
their redneck buddies in the face. After
a school incident with Broker's daughter, a local meth dealer named Morgan
'Gator' Bodine (James Franco) gets involved in his life. What Gator doesn't know is Broker is a tough
daddy, and tough daddies don't take crap from anyone. Headless stuffed bunnies, jean jackets, meth
whores, and fatherhood ensues.
"As soon as I get my chance, I'm sneaking into that house and sniffing each and every
chair until I pass out from hyperventilation."
THOUGHTS:
This
is a Jason Statham movie. There will be
no overly dramatic dialogue consisting of hurt feelings or upset lover
quarrels. Fists to the face will drown
out any hopes of character study or development. And at some point, even though the
protagonist may be outnumbered or outgunned, it really won't matter, because he
will always get his man in the end. If
you're alright with all those Statham facts, then you'll have no problem with
this movie.
"Do you know what we're gonna do with 200 pounds of white powder?"
"Bake some cakes?"
"Not just some--all of them. We're baking every cake there is."
Homefront
is reminiscent of Safe: a little girl needs protecting—in this case his
daughter—and protect her, he will, no matter what the cost. (Don't
think you've already seen this plot. You
might have seen versions of it, but when you really get down to it, everything
today is somewhat recycled anyway. And
there may be clichés lingering about, but there are also a few surprises.) In Homefront, Statham is trying to be a small
town dad that wears simple trucker hats and spends all his free time fixing a
simple country house. All he wants is to
be left alone. But when you're an ex-DEA
agent, sometimes your past catches up with you.
Statham
delivers the best acting he can, while also remaining a likable character and
loving father. His scenes with his
daughter are ideal for the plot and the ass-beatings he dishes out are fast and
brutal. He might even be the perfect
dad. Wait…what do you mean by
perfect? Well, if anyone gets in his
kid's face, they'll likely find their head going through some type of glass and
then eventually bouncing off the ground.
Wouldn't you want a dad that kept going even after he's been drowned and
beat several times with a tire-iron?
Sure you would. And that's
exactly who Statham plays in this story.
"Are you enjoying your ride, Sweetheart?"
"Yeah, Daddy."
"Good. Cause it's time you really learned how to survive, so when we get back, we're gonna
cook 'em and eat 'em. Just like my grandpappy did in the old west."
"But...that doesn't make sense, you have a British accent."
"Enough talking for today. Let's go make some burgers."
The
film introduces Izabela Vidovic as Maddy Broker, Statham's tough, but caring
daughter. She has a young Chloe Grace
Moretz vibe and can act better than almost anyone in the movie. Her scenes with Stratham are touching and
she's not too much of a slouch when it comes to fighting either. James Franco plays—surprise—a lunatic, yet
somewhat gullible, meth dealer. Even if
there are a couple of times you want to laugh at his facial expressions, Franco
still slips easily into a greasy-redneck-peeping-Tom
that rips heads off of dolls. Winona
Ryder seems to have moved up in life, portraying a meth whore that likes sex up
against dirty old cars. If there's one
person that delivers flat, clichéd dialogue that only moves the plot forward,
it'll be her. Kate Bosworth stops by to
also play a strung out meth whore, and Clancy Brown portrays a town sheriff
that really isn't needed at all. But
none of that matters, because you came for the brutality.
The
fight scenes are spaced out perfectly throughout Homefront. There's not as much action as the
Transporter, but what is here should make any Statham fan happy. The camera angles come in tight and the
lightning fists and feet are jazzed up with ground tactics, head smashing, and
joint locks. It's like the transporter
went to the local mixed martial arts gym and practiced for a while. But it's not all fists of fury. Gun clips are unloaded, cars get chased, and
explosions usually finish whatever has been started. Even though it's a father protecting his
daughter, this is still an action movie before anything else.
"Well, Honey, I've killed just about everyone in town, so we should be safe...at least
for a little while."
CONCLUSION:
Homefront
will give you the much needed Statham fix you've been craving. The dialogue can be laughable, the ending
might sit on a pile of cliché trash, and some characters may be completely
unnecessary, but it's still Statham-tastic
nonetheless. If you came for barbaric
fights and testosterone contests, then you're in good hands. You might even find a well-rounded
father/daughter relationship hidden within the Stallone screenplay. After a terrible film called Parker and the not-so-Statham Redemption, Homefront
returns big Jay to where he should be: kicking ass first and asking questions
later.
3.5
out of 5 Stathams (minus 1 1/2 Stathams
for unnecessary characters and average amount of action)
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