Saturday, May 24, 2014

Book Review - You Suck


Contrary to popular belief, You Suck is not a vintage porn starring Long Dong Silver.  It is, in fact, the next chapter in Christopher Moore’s tragic saga of C. Thomas Flood and his vampire love, Jody.

WARNING: if you haven't read the first novel in the C. Thomas Flood saga, Bloodsucking Fiends, P&P highly recommends you doing so, before venturing forth into this review.  First book spoilers ahead.

"They said we'd never shower again and would forever remain malodorous, but we'll 
show them.  We'll show them all."

BLOODSUCKING FIENDS RECAP:
Since P&P never reviewed Bloodsucking Fiends (stop looking at us that way and don't try to act like you've never been lazy).  Here's a bit of a recap in the action.  C. Thomas Flood, an aspiring writer from Indiana, heads to San Francisco to stake a claim in the literary world.  Shortly after arriving, his car is set aflame, his new bedroom is shared with five Chinese guys, his nights are spent managing a team of supermarket shelf stockers named the Animals, and his new girlfriend (an older, superhot redhead he met in the middle of the night named Jody) may be a vampire.  Okay, let's not sugar coat it.  She is a vampire and Tommy Flood ends up becoming her minion.  But is having sex with a vampire and doing her laundry something that Tommy always wanted?  First book spoilers are still ahead.  Read at your own risk.

YOU SUCK - STORY:
We pick up exactly where the first book left off: C. Thomas Flood being turned into a vampire by Jody, and Elijah (the centuries old vampire that turned Jody just for the fun of it) still stuck inside the bronze statue.  But can the happily-ever-after ending from the first book, really last?  In short…nope.  Sooner rather than later, Jody and Tommy realize they still need to leave town as promised, but there's the little problem of needing a minion to do their daylight bidding.  Blue painted hookers, gothic minions, bald cats, troubled teens, A Dirty Job's Charlie Asher, and the vampire Lord Flood ensues.

"Man, this is the last time I throw a party on a Tuesday."

THOUGHTS:
About the first eighty pages of the novel are just a bunch of ridiculous conversations between Jody and Tommy.  Basically, Tommy is being treated like a child by Jody, as he tries to come to terms with being a fresh undead stalker of the night.  Not that banter is a problem, but throughout most of the novel, you'll come to realize there's really not much going on.  There’s a lot of talking, pot smoking (the Animals, not Tommy since he is a vampire and all), sex, wandering around, and hiding from daylight in the most awkward places.  With the first novel (Bloodsucking Fiends) being scene after scene of vampire jokes and action chapters leading to the inevitable confrontation with Elijah, You Suck isn't left with much of a plot to utilize.  Therefore, Moore had to make things happen in each of the separate story lines.  For instance, the Animals take all their hard earned stolen money and blow it in Vegas on a Smurf hooker.  The cops, Cavuto and Rivera, have to make sure all vampires leave the city, and Jody and Tommy have to search for a minion.  But even with those story lines happening, there's still no over-arching plot in the novel.  It feels more like random stories from different people's journals that occasionally over-lap. 

With all that being said, the real reason anyone reads Moore is for the humor.  So is the book funny?  Ridiculously funny.  The random conversations in the beginning felt a little forced and out of character, but after the minion became part of the novel, the pace and humor increased tenfold.

"Mental checklist: Murder random family.  Help boy overcome puberty by 
killing his classmates.  Check amount of Followers on Twitter."

WHAT ABOUT A MINION?
If you've read A Dirty Job then you'll know of the character Abigail Von Normal, AKA Abby Normal.  (She is the sixteen year old friend of Lily, the cashier at Charlie Asher's secondhand store.)  Abby has finally found and fallen in love with her Dark Lord.  Except, her Dark Lord (the vampire Flood) isn't a few hundred years old and definitely doesn't know anything about being a vampire.  Abby's chapters throughout the book help the writing feel fresh, because each word is written as if she's telling the story in her diary.  The way she phrases conversations and events is absolutely hilarious.

Abby wants to be a vampire in the worst way and at one part in the story—because of a certain event—she thinks she's been turned and the "powers of the night" need some time to develop.  So Abby begins to act tough, but she's actually just a scared little girl that doesn't know crap about anything.  And that makes her chapters a complete delight.  The way she describes her Nosferatude, her love for Starbucks, and just her complete lack of caring, help carry the novel.  And thank goodness, because with nothing much to do, the Tommy and Jody story line, grows stale fast.

PACING:
Once the minion and the Animals story line start to intersect with Jody and Tommy, the novel begins to pick up and foolishness increases.  Action starts to actually take place and the lovely vampire couple find themselves falling deeper and deeper into trouble.  The next hurdle is the ending.  But don't expect a humongous climax to take place.  The ending just happens to fizzle out like a few days old Pepsi and you're left with a little more than indifference once the last page is turned.  It’s sad, considering Moore’s other works.

"I told you I have a problem eating spaghetti and meatballs.  You're taking these 
clothes to the cleaner.  You...not me!"

CONCLUSION:
This may not be Moore's best plotted tale, but his wacky writing is still woven deep within the novel.  If you enjoyed Bloodsucking Fiends and want to slightly deepen the story of Jody and Tommy, then feel at ease picking up this second volume.  If you found Bloodsucking Fiends to be lacking, then there's no need to venture any further into the saga.  But regardless of story trouble, the novel will still make you laugh if you have an appetite for over-the-top Moore humor.

3 out of 5 stars (minus a star for the ending and one for the pacing)

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